Choreographer Deborah Slater and playwright Eugenie Chan unite with a multigenerational collective of diverse women storytellers/artists to create a series of devised dance/theater vignettes around loss, grief and hope using movement, film and acting based on intergenerational legacy in both a western Chinese-American family and the gathered collaborators.
A site-specific devised dance theater re-imagining of Hans Christian Andersen’s “The Nightingale” that deconstructs the fairytale in the context of the daunting questions that come with generative AI seeping into our everyday experience.
A duet of choreographed and contemporary dance, drag artistry and live full body tracking in Virtual Reality (VR) featuring Cy Berspace that explores how mixed reality can serve as an integration tool for people inhabiting a trans/queer body and how we can build socially diverse digital worlds.
A new play and modular community performance by poet and activist Yosimar Reyes created through a participatory storytelling process with Teatro Visión’s community in East San José. The piece blends local history and music to elevate community voices and inspire neighborhood civic engagement.
A four-part theatrical series offering four unique and intimate Black experiences, inspired by four visionary African American artworks – Jacob Lawrence’s “The Great Migration”; Romare Bearden’s “Sunday After Sermon”; Kehinde Wiley’s “We Want Peace” and Jean Michel-Basquiat’s “Hollywood Africans.”
“Dance House” transforms CounterPulse into an immersive world blending vertical dance, drag, modern dance, and queer nightlife, inviting audiences to participate in joyful, norm-defying movement and interdisciplinary connections. Creator Saharla Vetsch builds on her bridging of these disparate forms and communities to forge new interdisciplinary work and connections.
A devised theater piece that explores intergenerational silences left in the wake of migration. Through relationships with their parents and local community members, Erika Chong Shuch and Sharon Shao will devise an immersive performance that uses theater and food to facilitate intergenerational conversations and stories.
This new play by Reed Flores is a Sailor Moon-esque adventure through the Bay Area pitting unlikely, nunchuk-armed heroes against a slew of wild villains. “Cuckoo Edible Magic” explores themes of Bay Area Asian American Pacific Islander life, Queer love and complex family dynamics–both “born” and “chosen.”
An evocative performance piece delving into the intricate journey of healing a body burdened by unprocessed generational trauma. Incorporating elements of dance, song, spoken word and architecture, “may we heal?” strives to embody a deeply human experience, inviting audiences to connect from an open-hearted space.
