A historical exploration of the intersection of the Native American and Japanese American immigrant experiences. This new work draws upon Ojibwe, Potawatomi, and Comanche traditions, storytelling, and traditional Japanese Noh to underscore similarities in spirituality, folklore, generational trauma, and historical experiences of Indigenous American and immigrant cultures.
A work lead by artist and community organizer Cat Brooks, will raise up the voices and untold stories of missing and murdered Black women in connection with Oakland’s place as a major stop on the global human trafficking circuit.
A performance using sign language, film, dance, and folk/rock music to educate audiences on the experiences of Deaf refugees, the Deaf Diaspora, and their battles against audism and discrimination.
Explores the historic and systemic exploitation of female labor in the US/Mexico borderlands through new choreography centered in American tap, Zapateado Son Jarocho and Afro-Carribbean rythms and movement. Ghostly Labor_ tells the story of grassroots activism and perseverance of Chicana and Native workers, bringing to light the resilience, beauty, and humanity of some of the […]
A new choreographic work bridging and interweaving dance and percussion of West Africa and the African American marching bands of Historically Black Colleges and Universities. The work takes the form of a call-and-response battle featuring intricately composed sections of highly stylized movement and percussion merging into community rising together in unison.
A site-specific aerial performance that examines the reconciliation between acts of violence towards Places of Worship and themes of love, sacred space, and community. Love, a state of grace is designed to promote dialogue, healing, and understanding among diverse multicultural and multigenerational communities.
By Britney Fazier and Margo Hall, a multidisciplinary performance ritual focused on the life and work of Marie Laveau, a Louisiana Voodoo Queen. LAVEAU will go beyond the traditional theatrical experience by incorporating voodoo cleansing rituals with movement, music and story-telling, challenging what engaging Black theater is and should be.
Explores the intersections between people with disabilities and the homeless community through the story of Alice in Wonderland. Alice seeks to highlight the disproportionate impact of homelessness on people with disabilities, as well as their need for accessible housing, healthcare and employment opportunities.
An immersive performance on the USS Potomac which seeks to deconstruct the white male body’s expression of power and challenge its role in American democracy.
A performance festival seeking to decolonize gender through Indigenous performance. A collaboration between Javier Stell-Frésquez and CounterPulse, Weaving Many Spirits will prioritize interactivity and culturally specific protocols, transforming CounterPulse into a time-based container for radically traditional Two-Spirit Indigenous futurity.
