Grants Archive - Page 163 of 188 - Kenneth Rainin Foundation

A dance performance that unites ancient traditions with emerging technologies to explore humanity’s fragile relationship to our waters and oceans.

An Afrofuturistic theatrical adventure that takes place in a newly divided United States. Follow the Ibeji (twins) Kehinde and Taiwo as they negotiate freedom, love and happiness in a new independent Black nation.

A multi-media theater collaboration between lead artist videographer/photographer Joan Osato, writer Sunhui Chang, director Ellen Sebastian Chang and Story Center. To be presented as a part of San Francisco Magic Theater’s New Performance Program, the boiling centers a search for home, identity and redemption in America amidst a history and tradition of violence.

A new collaboration between deaf choreographer Antoine Hunter, Capacitor Performance and Gallaudet University’s TinkerLab. In Cross-Polliination an interdisciplinary cohort of deaf and deaf-blind electrical engineering and dance students will deconstruct and apply strategies of deaf communication through dance, design and interactive technologies to explore new modes of communication.

A performance project choreographed by Sarah Crowell and Keith Hennessy using both dance and community process to explore racialized harm and potentials for racial healing. Tell addresses the crises of racial mistrust and political polarization, serving both Black and diverse audiences who are seeking optimistic, rigorously honest and socially engaged live art.

An immersive performance by OYSTERKNIFE interrogating Afro-Diasporic lineages inside the Christian church, using Igbo masquerade, church mime, experimental video and choreography.

For the world premiere production of Star Finch’s Shipping & Handling, which explores through the Black Feminine gaze how our humanity will be measured within a soon-to-be robotic reality.

A performance that centers the ancestral dance Son de los Diablos, using Afro-Peruvian rhythms and dances to bring visibility to the African Diaspora in Latinx communities. Son de los Diablos highlights the importance, history, existence and cultural contributions of people of African ancestry in Peru to reclaim and remember a history that is often invisibilized.

A dance project that will physicalize and synthesize the prayer, divination and offerings of the Ose Tura ritual, creating a movement odyssey spanning physical and ancestral worlds and presented in four chapters at site-specific San Francisco locations.

A dance that explores intersectional, intergenerational and diverse Latinx identities and politics as lived by the artistic team and found in the lyrics of Chicano singer El Vez’s songs._