A Filipino Futurism Punk Rock Sci-Fi Music Play set in a diasporic, dystopian future where creativity is outlawed. “DarkHeart” immerses the audience in speculative futures, Filipino Futurism (influenced from Afrofuturism), explorations of Filipino diaspora and liberation, indigenous sciences and decolonization movements.
A reexamination of the Middle Eastern epic story rumored to have inspired Shakespeare’s “Romeo & Juliet.” Torange Yeghiazarian’s adaptation will experiment with Iranian performance traditions, music and movement in an ensemble-driven creative process. Unlike traditional tellings, this adaptation will center the female character, Leyli, directly challenging the erasure of women’s experience in historic literary works.
A dance-based work of performance grappling with multi-racial collaboration, anti-racist art, queer eroticism and femme power. Using the radical concept of “failure” as a form of protest of purity and perfection, the piece will challenge rigid success notions and create space to reimagine alternatives.
A visual arts installation and performance artwork that utilizes indoor and outdoor spaces, blending traditional ritual, music and dance with visual art and electronic sound through wearable wireless devices and a multi-sensor tracking system. Rooted in deep engagement with Asian diaspora immigrant, refugee and asylee communities, this work will amplify the hopes and intentions for […]
An evening of choreographic experiments conducted in three hour-long parts that integrates contemporary dance, installation, sound production and community engagement to blur the lines between Black sociality, spectatorship and performance. “DIASPORATICA” explores Black gatherings that center collective rest, play, somatic experimentation as resistance and strategies that challenge the insidiously oppressive labor practices in dance and […]
A performance experience for teens and young adults about navigating consent and learning embodied skills through the creative process and performance choregraphed by Yayoi Kambara, narrated and guided live by drag queen Black Benatar (aka Mx. Beatrice Thomas) and in partnership with Dance Mission Theater’s Grrrl Brigade and Ruth Asawa San Francisco School of the […]
A full-length dance performance piece that will explore the storytelling capacity of Kathak from a modern perspective by challenging traditional approaches to the classical dance form and centering a wider range of movement vocabulary and narrative to expand the Kathak form.
A new bilingual play by Tere Martinez, casting light on the exploitative relationship the United States has with Puerto Rico and revealing how colonization processes are still alive and well in our contemporary society. Performed in Spanish, English or Spanglish, depending on the content of the scene, the play will feature projected supertitles to ensure […]
A multi-disciplinary dance project focused on migration from Asia to North and South America and the intercultural mixing of and support between the Chinese and Peruvian communities. Featuring original music, recorded interviews and dance, the piece explores the impact of migrant communities in the Americas on culture, food, music, dance, art, language, spirituality, tradition and […]
The first play by Naomi Izuka to be produced at the Magic Theatre, “GARUDA’S WING” investigates familial and cultural history through intimate human portraits spanning two generations. The piece explores ancestry, privilege, co-optation, colonial effects and global politics.
